Showing posts with label Robert E. Howard. Show all posts
Showing posts with label Robert E. Howard. Show all posts

Wednesday, July 14, 2021

Sailor's Grudge

Robert E. Howard is best known for his sword and sorcery tales, and his heroes Conan and Krull. But Howard wrote more stories of Sailor Stevie Costigan than any other of his heroes with the exception of Conan. Costigan was a sailor in the Pacific, hot-headed, quick with his hands, and the fiercest boxer on the seas. Accompanied by his bulldog Mike, Costigan moves from port to port and ring to ring, avenging slights and proving naysayers wrong. Unfortunately, this means that Costigan takes lumps that a few moments’ hesitation may have prevented, something the old salt good-naturedly admits.

In “Sailor’s Grudge”. Steve Costigan’s troubles start where most sailors’ do, on shore, and this time in California. A chance meeting with a little blonde flirt named Marjory puts Steve’s heart into a flutter. When he finds a man named Bert browbeating Marjory for fancying a sailor, Costigan enrages. Not only will no man get between Costigan and his current fancy, Steve pegs the man as a fellow sailor. The ensuing grudge will take Costigan into Hollywood, where he assaults a Bert lookalike that turns out to be a famous actor, one to whom Bert is a stunt double in a boxing movie. Costigan muscles his way onto set, aiming to settle his grudge in the ring, recorded by the movie’s director. But will this production have a happy ending?

Not when Steve learns the real connection between Marjory and Bert.

Costigan retells this misadventure knowing that the joke is on him, and that this white knight was tilting at windmills of his own devising. Howard nails the voice convincingly and appropriately for a lighter tale than the Gothic-tinged fantasy he is better known for. Better yet, he does it subtlely, using a few choice words here and there instead of the thick and occasionally unreadable accents many of his contemporaries used in the name of “realism”. The result is a quick, even friendly read that speeds the reader along to the highlight–the fight.

The fighting is painted in broad strokes. Technical, as an experienced boxer might, but with an eye towards how the fight fits in Steve’s attempts at courtship. Verisimilitude is the name of the game. Just enough boxing jargon to preserve Costigan’s expertise in the ring, but not so much that it turns into the Dreaded Checklist of Action or to stall the story’s narration. The punches mentioned move the story forward, not to wallow in technique, and each punch moves Steve closer to the realization that he doesn’t have a puncher’s chance with Marjory.

While Conan and Solomon Kane are classics of the fantasy genre, Costigan’s voice and the approachable nature of his adventures make his tales my current favorite of Howard’s works.

Thursday, June 18, 2020

The Curse of the Golden Skull

First published in The Howard Collector, Spring 1967, "The Curse of the Golden Skull", by Robert E. Howard, resembles a prose poem in the same vein as Clark Ashton Smith's "Chinoiserie". While there is a narrative thread throughout the short story, it does not, at first glance, map to conventional dramatic structure. The three sections, "The Curse of the Golden Skull", "The Emerald Interlude", and "The Orchids of Death" obscure the structure.

The first section deals with the prehistoric perils of an ancient and now doomed magician:
How strange it seemed, that he, Rotath of the Moonstone and the Asphodel, sorcerer and magician, should be gasping out his breath on the marble floor, a victim to that most material of threats -- keen pointed sword in a sinewy hand.
Rotath spends his dying moment cursing the gods that allowed him to die. As their dark servants come for him, this sorcerer casts one last desperate and spiteful spell that changes his body, one that he hopes will wreak havoc across the ages.

In the "Emerald Interlude", the ages pass:
Years stretched into centuries, centuries became ages. The green oceans rose and wrote an epic poem in emerald and the rhythm thereof was terrible. Thrones toppled and silver trumpets fell silent forever. The races of men passed as smoke drifts from the breast of a summer. The roaring jade green seas engulfed the lands and all mountains sank, even the highest mountain of Lemuria.
That's the entire interlude, a descriptive section filled with as much tumult and cataclysmic action as can be fit into 64 words. And, in its way, it's emblematic of the entire "The Curse of the Golden Skull". Howard comes out swinging with his descriptions and fills the story with the struggle of the fight. The Jeffro Johnson test for covers (have people busy with action instead of standing around looking cool) applies here. And this is just the contemplative section denoting that the time is passing.

The final section, "The Orchids of Death", picks up with an unnamed adventurer discovering the skull and skeleton of gold:
What long dead artisan had shaped the thing with such incredible skill? He bent closer, noting the rounded ball-and-socket of the joints, the slight depressions on flat surfaces where muscles had been attached. And he started as the stupendous truth was borne upon him.
The adventurer, of course, is doomed. But is it from the curse or from natural causes? Like most short stories of the era, it all hinges on a twist at the end, a terrible denouement that alters everything that has come before.

 The sections and the uneven lengths obscure the dramatic structure present.  The first line immediately thrusts a problem upon Rotath. 600 words in, almost the exact center of the story, Rotath attempts his spiteful defiance, the turning point for the story. And in the last lines, we learn whether or not his dying action succeeded. This follows the conventional five-act dramatic structure, albeit with an abbreviated introduction and denouement, and without acts. And Howard's conflict-filled prose is well suited for drama, even if ages fly past in mere lines.

"The Curse of the Golden Skull" was a happy little discovery nestled deep in the lines of a search engine. As such, it is a delightfully harrowing read that rewards the critical eye's scrutiny. For, like a good house, the construction is as sound as the facade is beautiful.

Sunday, August 5, 2018

Tales from The Book of the Dead: Son of Texas

Not all of E Hoffman Price's visit to Texas was filled with bad news. Here, he recalls his introduction to Robert E. Howard in person, leaving no doubt that Howard was indeed a son of Texas:
Soon after tucking home a farm style-breakfast, I met Bob: tall, broad, towering--squarish face, tanned to swarthiness--deep chest, short, solid neck--a lot of man. His expression was stolid, phlegmatic until he thrust out a big hand, smiled, and spoke. The quite friendliness of his voice came as a surprise. I'd expected the rumble of a bull, with a bit of lion-mutter. H. P. L., who had never met Howard, had fancifully characterized him in letters to the "Circle," in terms which suggested what I'd expected. 
He was utterly unlike the grim fellows he presented in W. T.  His manner and voice were gracious, winning as his "presence." Presence is that which, if a shipwrecked sailor has it, enables him to preach to the cannibal natives instead of joining his shipmates as part of the long-pig banquet. 
Our meeting, after five or six years of amiable correspondence, was as heart warming as the hospitality of his parents. 
Bob had two idiosyncrasies of pronunciation: W-O-U-N-D, which Conan inflicted whenever possible, was vocalized as in saying, I wound the clock. In S-W-O-R-D, he gave W its full force as a consonant. This was mildly interesting. The first of the several utterances which left me blinking and groping was delivered as he and I strolled down the un-notable main street of Cross Plains. 
"Ed. I am God-damn proud to have you come and see me." 
Like that. Blunt, forthright, and without any relation whatsoever to the context of anything we'd said during our short walk from home. 
"What the hell have you to be proud of? It's the other way around. As I was telling your Dad, you're the only one of the Weird Tales crowd that's breaking into everything but confessions and love pulps!. I'm sweating peach seeds, trying to follow your example. If there's any being proud, it's my turn, being your guest." 
Bob grimaced, shook his head. "Nobody in Cross Plains thinks I amount to much. So I am proud to show these sons of bitches that a successful writer drove a thousand miles to hell and gone out of his way to see me." 
This left me gaping and puzzled. Considering the readership he reached, acceptance in what was just another of many nondescript Texas towns was no great matter. Furthermore, the man rated more than he seemed to realize. There was friendly greetings all along the way to the barber shop where I'd have my first hair-cut in a long while. 
On our way home, I learned that Bob neither smoked nor drank hard liquor. He explained, "The lowest bastard I know in a number of fairy sized counties goes for whiskey and tobacco, so to show my contempt for him and all his breed of stinkers, I turn down drinking and smoking." The dark, stern face brightened in a grin and a chuckle. Then, "See, I know I am inconsistent. That low down skunk breathes, and so do I. Sometimes you've got to compromise in matters of principle."

Tuesday, July 24, 2018

Razorfist on Solomon Kane

Once again, Razorfist graces us with a multi-media survey of a great pulp hero: Robert E. Howard's dour Puritan, Solomon Kane.

Sunday, January 21, 2018

Conan: Coming Soon in BD

In light of recent news concerning Marvel taking over the Conan license in America, there is good news for fans of the famous barbarian:
After the success of its recent Elric adaptation, one of the largest French publishers Glénat has decided to adapt 12 Robert E. Howard Conan stories into graphic novels. 
Each adaptation will be from a different creative team, including the folk at CreART. 
There won’t be any kind of “standard” look for Conan’s appearance. Each creative team will draw the Cimmerian their way. 
The first will be published in May, adapting Howard’s early Conan work, The Black Colossus as a comic by Vincent Brugeas and Toulhoat.
Personally, I can't wait to import the English translations from the U.K.. And while I'm dreaming about public domain comics, can someone do a decent Northwest Smith or Jirel of Joiry series in the States?

Friday, November 24, 2017

Friday, November 17, 2017

Audiobook: The Horror from the Mound

Another audiobook pulp tale from Tales of Weird, this time from Robert E. Howard:

There is a secret held inside an Indian burial mound, only a few know the secret and they have been sworn to secrecy… until someone became greedy, deciding that there must be treasure hidden in the mound…

Tuesday, February 14, 2017

Don't Split the Party: Conan's Motivations

One of the pure delights of my introduction to pulps as pulp fiction and not individual stories was reading the game bloggers that Jeffro Johnson introduced as part of his Appendix N discussions. Not only was the insight into gaming interesting, but they, as a whole, thought deeper and harder about what made science fiction and fantasy than, say, Tor.com. The best lit crit and the clearest voices telling why the old tales entertained so well was not being done inside the SFF community.

For example, take a look at yesterday's post from Rick Stump, a table-top gamer with more years in that saddle than I have in life:
  It seems that 'because he wanted to' or 'because it is his job' just don't strike contemporary writers as actual motivations, jowever, so they invent really huge events to motivate characters.
  Look at the Bond movies. The first several were '...007, your mission is...'. These days? Every trailer might as well open with a voiceover proclaiming, 
  "This time, it's personal!!!!"

  But the pulps didn't have this problem!
 
  To the pulps doing something hard because it was hard was the default. Valuing any life over riches was the hallmark of a hero - being conflicted over saving a life versus becoming wealthy was a sign of moral weakness. Men saved women from peril because that is what men do.
It is a wonderful post on Conan's motivations as seen through his portrayals in the books and movies, that addresses questions that writers and players might have. Insightful and inciteful, this is a must read for pulp fans.

Saturday, November 26, 2016

Gods of the North, by Robert E. Howard

The clangor of the swords had died away, the shouting of the slaughter was hushed; silence lay on the red-stained snow. The bleak pale sun that glittered so blindingly from the ice-fields and the snow-covered plains struck sheens of silver from rent corselet and broken blade, where the dead lay as they had fallen. The nerveless hand yet gripped the broken hilt; helmeted heads back-drawn in the death-throes, tilted red beards and golden beards grimly upward, as if in last invocation to Ymir the frost-giant, god of a warrior-race.

Across the red drifts and mail-clad forms, two figures glared at each other. In that utter desolation only they moved. The frosty sky was over them, the white illimitable plain around them, the dead men at their feet. Slowly through the corpses they came, as ghosts might come to a tryst through the shambles of a dead world. In the brooding silence they stood face to face.

Both were tall men, built like tigers. Their shields were gone, their corselets battered and dinted. Blood dried on their mail; their swords were stained red. Their horned helmets showed the marks of fierce strokes. One was beardless and black­maned. The locks and beard of the other were red as the blood on the sunlit snow.

"Man," said he, "tell me your name, so that my brothers in Vanaheim may know who was the last of Wulfhere's band to fall before the sword of Heimdul."

"Not in Vanaheim," growled the black-haired warrior, "but in Valhalla will you tell your brothers that you met Conan of Cimmeria."

Heimdul roared and leaped, and his sword flashed in deathly arc. Conan staggered and his vision was filled with red sparks as the singing blade crashed on his helmet, shivering into bits of blue fire. But as he reeled he thrust with all the power of his broad shoulders behind the humming blade. The sharp point tore through brass scales and bones and heart, and the red-haired warrior died at Conan's feet.

The Cimmerian stood upright, trailing his sword, a sudden sick weariness assailing him. The glare of the sun on the snow cut his eyes like a knife and the sky seemed shrunken and strangely apart. He turned away from the trampled expanse where yellow-bearded warriors lay locked with red-haired slayers in the embrace of death. A few steps he took, and the glare of the snow fields was suddenly dimmed. A rushing wave of blindness engulfed him and he sank down into the snow, supporting himself on one mailed arm, seeking to shake the blindness out of his eyes as a lion might shake his mane.

A silvery laugh cut through his dizziness, and his sight cleared slowly. He looked up; there was a strangeness about all the landscape that he could not place or define — an unfamiliar tinge to earth and sky. But he did not think long of this. Before him, swaying like a sapling in the wind, stood a woman. Her body was like ivory to his dazed gaze, and save for a light veil of gossamer, she was naked as the day. Her slender bare feet were whiter than the snow they spurned. She laughed down at the bewildered warrior. Her laughter was sweeter than the rippling of silvery fountains, and poisonous with cruel mockery.

"Who are you?" asked the Cimmerian. "Whence come you?"

"What matter?" Her voice was more musical than a silver-stringed harp, but it was edged with cruelty.

"Call up your men," said he, grasping his sword. "Yet though my strength fail me, they shall not take me alive. I see that you are of the Vanir."

"Have I said so?"

His gaze went again to her unruly locks, which at first glance he had thought to be red. Now he saw that they were neither red nor yellow but a glorious compound of both colors. He gazed spell-bound. Her hair was like elfin-gold; the sun struck it so dazzlingly that he could scarcely bear to look upon it. Her eyes were likewise neither wholly blue nor wholly grey, but of shifting colors and dancing lights and clouds of colors he could not define. Her full red lips smiled, and from her slender feet to the blinding crown of her billowy hair, her ivory body was as perfect as the dream of a god. Conan's pulse hammered in his temples.

"I can not tell," said he, "whether you are of Vanaheim and mine enemy, or of Asgard and my friend. Far have I wandered, but a woman like you I have never seen. Your locks blind me with their brightness. Never have I seen such hair, not even among the fairest daughters of the Æsir. By Ymir — "

"Who are you to swear by Ymir?" she mocked. "What know you of the gods of ice and snow, you who have come up from the south to adventure among an alien people?"

"By the dark gods of my own race!" he cried in anger. "Though I am not of the golden-haired Æsir, none has been more forward in sword-play! This day I have seen four score men fall, and I alone have survived the field where Wulfhere's reavers met the wolves of Bragi. Tell me, woman, have you seen the flash of mail out across the snow-plains, or seen armed men moving upon the ice?"

"I have seen the hoar-frost glittering in the sun," she answered. "I have heard the wind whispering across the everlasting snows."

He shook his head with a sigh.

"Niord should have come up with us before the battle joined. I fear he and his fighting-men have been ambushed. Wulfhere and his warriors lie dead.

"I had thought there was no village within many leagues of this spot, for the war carried us far, but you can not have come a great distance over these snows, naked as you are. Lead me to your tribe, if you are of Asgard, for I am faint with blows and the weariness of strife."

"My village is further than you can walk, Conan of Cimmeria," she laughed. Spreading her arms wide, she swayed before him, her golden head lolling sensuously, her scintillant eyes half shadowed beneath their long silken lashes. "Am I not beautiful, oh man?"

"Like Dawn running naked on the snows," he muttered, his eyes burning like those of a wolf.

"Then why do you not rise and follow me? Who is the strong warrior who falls down before me?" she chanted in maddening mockery. "Lie down and die in the snow with the other fools, Conan of the black hair. You can not follow where I would lead."

With an oath the Cimmerian heaved himself up on his feet, his blue eyes blazing, his dark scarred face contorted. Rage shook his soul, but desire for the taunting figure before him hammered at his temples and drove his wild blood fiercely through his veins. Passion fierce as physical agony flooded his whole being, so that earth and sky swam red to his dizzy gaze. In the madness that swept upon him, weariness and faintness were swept away.

He spoke no word as he drove at her, fingers spread to grip her soft flesh. With a shriek of laughter she leaped back and ran, laughing at him over her white shoulder. With a low growl Conan followed. He had forgotten the fight, forgotten the mailed warriors who lay in their blood, forgotten Niord and the reavers who had failed to reach the fight. He had thought only for the slender white shape which seemed to float rather than run before him.

Out across the white blinding plain the chase led. The trampled red field fell out of sight behind him, but still Conan kept on with the silent tenacity of his race. His mailed feet broke through the frozen crust; he sank deep in the drifts and forged through them by sheer strength. But the girl danced across the snow light as a feather floating across a pool; her naked feet barely left their imprint on the hoar-­frost that overlaid the crust. In spite of the fire in his veins, the cold bit through the warrior's mail and fur-lined tunic; but the girl in her gossamer veil ran as lightly: as gaily as if she danced through the palm and rose gardens of Poitain.

On and on she led, and Conan followed. Black curses drooled through the Cimmerian's parched lips. The great veins in his temples swelled and throbbed and his teeth gnashed.

"You can not escape me!" he roared. "Lead me into a trap and I'll pile the heads of your kinsmen at your feet! Hide from me and I'll tear apart the mountains to find you! I'll follow you to hell!"

Her maddening laughter floated back to him, and foam flew from the barbarian's lips. Further and further into the wastes she led him. The land changed; the wide plains gave way to low hills, marching upward in broken ranges. Far to the north he caught a glimpse of towering mountains, blue with the distance, or white with the eternal snows. Above these mountains shone the flaring rays of the borealis. They spread fan-wise into the sky, frosty blades of cold flaming light, changing in color, growing and brightening.

Above him the skies glowed and crackled with strange lights and gleams. The snow shone weirdly, now frosty blue, now icy crimson, now cold silver. Through a shimmering icy realm of enchantment Conan plunged doggedly onward, in a crystalline maze where the only reality was the white body dancing across the glittering snow beyond his reach - ever beyond his reach.

He did not wonder at the strangeness of it all, not even when two gigantic figures rose up to bar his way. The scales of their mail were white with hoar-frost; their helmets and their axes were covered with ice. Snow sprinkled their locks; in their beards were spikes of icicles; their eyes were cold as the lights that streamed above them.

"Brothers!" cried the girl, dancing between them. "Look who follows! I have brought you a man to slay! Take his heart that we may lay it smoking on our father's board!"

The giants answered with roars like the grinding of ice-bergs on a frozen shore and heaved up their shining axes as the maddened Cimmerian hurled himself upon them. A frosty blade flashed before his eyes, blinding him with its brightness, and he gave back a terrible stroke that sheared through his foe's thigh. With a groan the victim fell, and at the instant Conan was dashed into the snow, his left shoulder numb from the blow of the survivor, from which the Cimmerian's mail had barely saved his life. Conan saw the remaining giant looming high above him like a colossus carved of ice, etched against the cold glowing sky. The axe fell, to sink through the snow and deep into the frozen earth as Conan hurled himself aside and leaped to his feet. The giant roared and wrenched his axe free, but even as he did, Conan's sword sang down. The giant's knees bent and he sank slowly into the snow, which turned crimson with the blood that gushed from his half-severed neck.

Conan wheeled, to see the girl standing a short distance away, staring at him in wide-eyed horror, all the mockery gone from her face. He cried out fiercely and the blood-drops flew from his sword as his hand shook in the intensity of his passion.

"Call the rest of your brothers!" he cried. "I'll give their hearts to the wolves! You can not escape me - "

With a cry of fright she turned and ran fleetly. She did not laugh now, nor mock him over her white shoulder. She ran as for her life, and though he strained every nerve and thew, until his temples were like to burst and the snow swam red to his gaze, she drew away from him, dwindling in the witch-fire of the skies, until she was a figure no bigger than a child, then a dancing white flame on the snow, then a dim blur in the distance. But grinding his teeth until the blood started from his gums, he reeled on, and he saw the blur grow to a dancing white flame, and the flame to a figure big as a child; and then she was running less than a hundred paces ahead of him, and slowly the space narrowed, foot by foot.

She was running with effort now, her golden locks blowing free; he heard the quick panting of her breath, and saw a flash of fear in the look she cast over her white shoulder. The grim endurance of the barbarian had served him well. The speed ebbed from her flashing white legs; she reeled in her gait. In his untamed soul leaped up the fires of hell she had fanned so well. With an inhuman roar he closed in on her, just as she wheeled with a haunting cry and flung out her arms to fend him off.

His sword fell into the snow as he crushed her to him. Her lithe body bent backward as she fought with desperate frenzy in his iron arms. Her golden hair blew about his face, blinding him with its sheen; the feel of her slender body twisting in his mailed arms drove him to blinder madness. His strong fingers sank deep into her smooth flesh; and that flesh was cold as ice. It was as if he embraced not a woman of human flesh and blood, but a woman of flaming ice. She writhed her golden head aside, striving to avoid the fierce kisses that bruised her red lips.

"You are cold as the snows," he mumbled dazedly. "I will warm you with the fire in my own blood — "

With a scream and a desperate wrench she slipped from his arms, leaving her single gossamer garment in his grasp. She sprang back and faced him, her golden locks in wild disarray, her white bosom heaving, her beautiful eyes blazing with terror. For an instant he stood frozen, awed by her terrible beauty as she posed naked against the snows.

And in that instant she flung her arms toward the lights that glowed in the skies above her and cried out in a voice that rang in Conan's ears for ever after: "Ymir! Oh, my father, save me!"

Conan was leaping forward, arms spread to seize her, when with a crack like the breaking of an ice mountain, the whole skies leaped into icy fire. The girl's ivory body was suddenly enveloped in a cold blue flame so blinding that the Cimmerian threw up his hands to shield his eyes from the intolerable blaze. A fleeting instant, skies and snowy hills were bathed in crackling white flames, blue darts of icy light, and frozen crimson fires. Then Conan staggered and cried out. The girl was gone. The glowing snow lay empty and bare; high above his head the witch-lights flashed and played in a frosty sky gone mad, and among the distant blue mountains there sounded a rolling thunder as of a gigantic war-chariot rushing behind steeds whose frantic hoofs struck lightning from the snows and echoes from the skies.

Then suddenly the borealis, the snow-clad hills and the blazing heavens reeled drunkenly to Conan's sight; thousands of fire-balls burst with showers of sparks, and the sky itself became a titanic wheel which rained stars as it spun. Under his feet the snowy hills heaved up like a wave, and the Cimmerian crumpled into the snows to lie motionless.

In a cold dark universe, whose sun was extinguished eons ago, Conan felt the movement of life, alien and unguessed. An earthquake had him in its grip and was shaking him to and fro, at the same time chafing his hands and feet until he yelled in pain and fury and groped for his sword.

"He's coming to, Horsa," said a voice. "Haste — we must rub the frost out of his limbs, if he's ever to wield sword again."

"He won't open his left hand," growled another. "He's clutching something — "

Conan opened his eyes and stared into the bearded faces that bent over him. He was surrounded by tall golden-haired warriors in mail and furs.

"Conan! You live!"

"By Crom, Niord," gasped the Cimmerian. 'Am I alive, or are we all dead and in Valhalla?"

"We live," grunted the Æsir, busy over Conan's half-frozen feet. "We had to fight our way through an ambush, or we had come up with you before the battle was joined. The corpses were scarce cold when we came upon the field. We did not find you among the dead, so we followed your spoor. In Ymir's name, Conan, why did you wander off into the wastes of the north? We have followed your tracks in the snow for hours. Had a blizzard come up and hidden them, we had never found you, by Ymir!"

"Swear not so often by Ymir," uneasily muttered a warrior, glancing at the distant mountains. "This is his land and the god bides among yonder mountains, the legends say."

"I saw a woman," Conan answered hazily. "We met Bragi's men in the plains. I know not how long we fought. I alone lived. I was dizzy and faint. The land lay like a dream before me. Only now do all things seem natural and familiar. The woman came and taunted me. She was beautiful as a frozen flame from hell. A strange madness fell upon me when I looked at her, so I forgot all else in the world. I followed her. Did you not find her tracks? Or the giants in icy mail I slew?"

Niord shook his head.

"We found only your tracks in the snow, Conan."

"Then it may be I am mad," said Conan dazedly. "Yet you yourself are no more real to me than was the golden-locked witch who fled naked across the snows before me. Yet from under my very hands she vanished in icy flame."

"He is delirious," whispered a warrior.

"Not so!" cried an older man, whose eyes were wild and weird. "It was Atali, the daughter of Ymir, the frost-giant! To fields of the dead she comes, and shows herself to the dying! Myself when a boy I saw her, when I lay half-slain on the bloody field of Wolraven. I saw her walk among the dead in the snows, her naked body gleaming like ivory and her golden hair unbearably bright in the moonlight. I lay and howled like a dying dog because I could not crawl after her. She lures men from stricken fields into the wastelands to be slain by her brothers, the ice-giants, who lay men's red hearts smoking on Ymir's board. The Cimmerian has seen Atali, the frost-giant's daughter!"

"Bah!" grunted Horsa. "Old Gorm's mind was touched in his youth by a sword cut on the head. Conan was delirious from the fury of battle — look how his helmet is dinted. Any of those blows might have addled his brain. It was an hallucination he followed into the wastes. He is from the south; what does he know of Atali?"

"You speak truth, perhaps," muttered Conan. "It was all strange and weird ­— by Crom!"

He broke off, glaring at the object that still dangled from his clenched left fist; the others gaped silently at the veil he held up - a wisp of gossamer that was never spun by human distaff.

***

("Gods of the North" by Robert E. Howard is in the public domain.)

Thursday, October 20, 2016

Rattle of Bones, by Robert E. Howard

Summary: In the middle of Germany's Black Forest, Solomon Kane meets Gaston l'Armon inside the Cleft Skull Tavern. The two men struggle to place where they might have met before.  As their host, a man who claims false imprisonment in the Karlsruhe dungeons, guides them to their beds, a practiced paranoia compels the two men to search for means to secure their room.  After wandering through the empty tavern, they find a bar for a door in the last room.  Gaston tries to remove it from its setting, but instead opens a passage to a secret room.  Inside is a skeleton of a man with a cleft skull shackled to the floor.  Gaston cuts the chain, mocking the bones.

Solomon Kane leaves the secret room to confront the tavern keeper about the body, but stops as a pistol is pressed against his head.  Kane and Gaston finally recognize each other.  Gaston is the Butcher, and intends to relieve Solomon Kane of his gold and his life.  A blade falls from behind the bandit, cleaving his skull.  The tavern owner then takes his place holding Kane at gunpoint.  Kane tries to talk his way free, but the host wants revenge on all men for his false imprisonment and will not settle for less than Kane's blood.  The tavern owner boasts of killing a sorcerer and chaining his body to the floor.  Kane will soon join the dead man.   However, the tavern owner falls backward as the candlelight in the room is snuffed out.

When Solomon Kane finds light once more, he discovers that the tavern owner is now dead, with the skeleton's fingers deep in his throat.

***

This story serves as a poor introduction to Solomon Kane.  But then, he is neither hero nor protagonist of this story.  Instead, he is the viewpoint character through which the reader observes a tale of Gaston's death and resulting vengeance against his murderer.  In other stories, he is not  passive, proving to be a Puritan hero comparable in skill and cunning to Conan.  Here, however, he is replaceable. 

"Rattle of Bones" is built on repetition.  In musical terms, it is a story of theme and variation - with cleaved skulls and mugging.  The phrase "cleft skull" repeats in the name of the tavern and the cleft skulls of the sorcerer and Gaston.  Conventional wisdom would have forced new ways of describing the lethal head wound, as writers are taught to avoid using phrases in a short story.  Here, repetition of a key phrase is used as a clue to the murder of the sorcerer, pointing back to the tavern owner.  The men who attempted to mug Solomon Kane were both dispatched from behind by unseen attackers.  Finally, the two death curses of the sorcerer and Gaston combine to kill the man who killed them both: the tavern owner. Here, the repetition of plot elements is used to strengthen the parallels between the sorcerer and Gaston to drive home the point that the vengeance of both dead men was enabled and fulfilled in the actions of the other man.  For all the claims of the pulps' hackneyed writing and cliches, what becomes apparent upon critical reading is the craftmanship of the pulps.